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Bruce Willis Headed to the Stage for Stephen King’s Misery

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Bruce Willis has gone from one of Hollywood’s most lovable and likable leading men to a single-expression curmudgeon over the years. Maybe a trip to Broadway will do him some good!

THR reports that Warner Bros. Theatre Ventures is bringing an adaptation of Stephen King’s novel Misery to Broadway and, faster than you can say Birdman, has enlisted Bruce Willis to star.

Willis will make his Broadway debut opposite Obie Award-winning actress Elizabeth Marvel (Other Desert Cities, House of Cards) in the play written by two-time Academy Award winner William Goldman (The Princess Bride, Butch Cassidy and the Sundance Kid), who also wrote the screenplay for the 1990 film that starred Kathy Bates in her Oscar-winning turn as Annie Wilkes.

Willis will play the housebound writer Paul Sheldon, who becomes a prisoner of Wilkes, who will be played by Marvel.

Will Frears (Omnium Gatherum) has signed on to direct the play that will make a limited run in the fall at a theater to be announced.

Bruce Willis

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And the Angels Sing in this Trailer for The Messengers

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A new trailer has arrived for The CW’s “The Messengers,” which will premiere on April 17th. It focuses on angels, in whose hands the fate of the world rests.  Will you be tuning in to see how things work out?

“The Messengers” Synopsis:
When a mysterious object plummets to Earth, the blinding explosion it causes sends out a shock wave that instantly connects five strangers who awaken after the pulse with extraordinary gifts they can barely believe. Most mysterious of all is a figure known only as “The Man,” who brings death and suffering wherever he appears. The wheels of Revelation have begun to turn, and these five newly christened Angels of the Apocalypse may be the only hope for preventing the impending Rapture.

“The Messengers” stars Shantel VanSanten (“Gang Related,” “One Tree Hill”), Jon Fletcher (“City of Dreams”), Sofia Black-D’Elia (“Betrayal,” “Gossip Girl”), JD Pardo (“Revolution”), Joel Courtney (Super 8), Anna Diop (“Everybody Hates Chris”), Craig Frank (“Mixology”), and Diogo Morgado (Son of God, Sol de Inverno) as The Man.

For more info visit “The Messengers” on cwtv.com, and “like” “The Messengers” on Facebook.

themessengers

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The post And the Angels Sing in this Trailer for The Messengers appeared first on Dread Central.

Bigfoot: The Movie Ready to Stomp On In

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Ah, sasquatchploitation! So furry! So good! So up our alley! That’s right, kids; everyone’s favorite cryptozoological legend is getting set to storm his way into the spotlight with Bigfoot: The Movie!

Directed by Jared Show, the flick stars Show, Curt Wootton, Joanie Dodds, Terrance Evans, Nathan Magill, Brenna Roth, and Jesse Pomerico.

Synopsis:
Dale, Chuck, and Burl are some good ol’ boys from Ellwood, PA. They never thought they’d find themselves in the middle of a real life slaughter fest after their best friend Darryl gets killed. Local authorities try to blame it on a bear, but it’s something much worse… it’s BIGFOOT! He’s not only real, but he’s loose in their small town killing people and cows left and right! As the gruesome murders pile up, the cops seem useless and these mullet-topped, Firebird-driving boys realize they have to take him down… the old fashioned way.

Bigfoot: The Movie

Bigfoot: The Movie

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Black Fawn Releasing Horsehead in Canada May 5th

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Black Fawn Distribution has landed the internationally acclaimed horror film Horsehead for Canadian distribution, setting a release date in early May. Read on for the details, trailer, artwork, and a few stills from the film.

From the Press Release:
After debuting at the Cannes Film Market, HORSEHEAD has been showcased at some of the most renowned film festivals around the world including Fantastic Fest, Sitges International Film Festival, and Rojo Sangre in Buenos Aires, where it took home honors for best cinematography. HORSEHEAD has now found a home through Black Fawn Distribution. The film is set to be released on DVD, iTunes, VOD, and Limited Edition Blu-ray in Canada on May 5, 2015.

“HORSEHEAD captured me from the very first frame of the film,” states BFD owner Chad Archibald. “It really is a beautiful nightmare that has been gathering some outstanding reviews from around the world. We’re so honored to be releasing such an amazing piece of horror in Canada.”

Directed by up-and-coming French filmmaker Romain Basset, the film will also mark Black Fawn Distribution’s first foray into HD as the company plans to release the film both through iTunes as well as as an exclusive two-disc limited edition Blu-ray. It was written by Basset and Karim Chériguène and stars Lilly-Fleur Pointeaux, Catriona MacColl, and Murray Head.

“A big part of our company is talking to horror fans on the ground and finding out what they want to see,” states sales manager CF Benner. “What we kept hearing was that a lot of people wanted Blu-ray, and we felt that HORSEHEAD was a perfect fit for that format. Quite frankly, it’s a visually stunning film that deserves to be added to any horror fan’s collection.”

The two-disc limited edition Blu-ray release promises to include a crystal clear 1080p transfer of the film, a copy of the haunting soundtrack, an hour long behind-the-scenes documentary featuring cast and crew interviews, filmmaker’s commentary, and the original uncensored trailer.

Synopsis:
Plagued by recurring nightmares since childhood, Jessica has begun studying the psycho-physiology of dreams in an attempt to understand their meaning. When her grandmother dies, Jessica returns to her family home in the French countryside, where she receives a muted reception from her icy mother.

After a difficult first night, Jessica becomes feverish and uses her bedridden state to practice the art of lucid dreaming. Jessica soon learns that her grandmother had been obsessed with the same evil apparition that now haunts her own nightmares. As Jessica’s skills as a lucid dreamer improve, she discovers that dark secrets run deep in her bloodline and that they all lead to the monstrous Horsehead.

Pre-orders for the film can be placed here.

Horsehead - Still #1

Horsehead - Still #2

Horsehead - Still #3

horsehead

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Exterminators of the Year 3000 (Blu-ray)

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Exterminators of the Year 3000Starring Robert Iannucci, Luca Venantini, Fernando Bilbao, Luciano Pigozzi

Directed by Giuliano Carnimeo

Distributed by The Scream Factory


Italian cinema has triumphed in many ways throughout the history of motion pictures, bestowing upon audiences celebrated directors, an entire subgenre of horror (giallo), timeless composers (e.g. Ennio Morricone) and unquestionably classic films. Yet, dubious as it may be, the country’s most notorious cinema comes in the form of cash-grab in-name-only sequels and blatant rip-offs of any acclaimed hit to make waves. If a Western/Horror/Shark film enjoyed any level of success in the ‘70s and ‘80s, you can be sure the Italians found a way to produce half a dozen illegitimate sequels, virtually all of which are a faint shadow of the original work. They’re also guilty of cannibalizing their own successes, as evidenced by the fact Django (1966) has more “sequels” than the James Bond series (1962-present) has films.

After George Miller’s Mad Max (1979) and The Road Warrior (1981) proved to be sizeable hits, it wasn’t long before a slew of Italian imitations hit the scene. Don’t get me wrong here – just because these films are taken whole cloth from other, often better productions doesn’t mean many aren’t awesome(ly bad) in their own special way. 1990: Bronx Warriors (1982) kicks all sorts of scorched-earth ass, so who cares if you can see pedestrians and traffic off in the distance of “post-apocalyptic New York”? The plots of these films were generally identical most of the time anyway: a fairly benevolent group of people needs some resource, while another group of less friendly people wants to prevent them from obtaining it. Fights ensue. But where Exterminators of the Year 3000 (1983) slightly differs is that it might as well be a remake of The Road Warrior, with only a few minor substitutions made to distinguish it in any way. It’s like watching a student film version of Miller’s masterpiece – all the elements are present, just on a much lesser scale.

Nuclear war has ravaged Earth, leaving it a scorched, barren wasteland by the year 3000. A small encampment of remaining humans lives underground in a cave, where they use retro-future methods to grow lettuce and seemingly little else. Unfortunately, water is a scarcity now (gas probably is, too, but one problem at a time) and these people desperately need it if they are to survive any longer. One brave man volunteered to retrieve some, but he never returned and everyone figures he’s dead. In his stead another man, known as “Alien” (Robert Iannucci), offers to take up the task. He won’t be going alone. Tommy (Luca Venantini), the 10-year-old son of the guy who disappeared on his water run, wants to tag along. Tommy soon learns the dusty plains they must travel are no place for a young boy. Savages are everywhere, led by the murderous Crazy Bull (Fernando Bilbao), who has a grudge against Alien. A tough woman (and Alien’s ex), Trash (Alicia Moro), and a wily old man, Papillon (Luciano Pigozzi), join Alien and Tommy on their quest for water and aid in the fight against Crazy Bull and his stable of brutal warriors.

This movie is strictly for those who like their cheese thick. As easy as it would be to pick this film apart like a sundried carcass, the fact of the matter is it’s actually got a lot of flat-out ridiculous elements that work because they show sparks of creativity and passion. Alien uses a pair of bolas that can cut a man in two. Tommy, who we learn halfway through the film has a bionic arm, has that arm repaired and improved giving him the ability to throw a rock through someone’s head like it was made of butter. The water cache our heroes are searching for is guarded by a squad of deranged welders. An obvious miniature set explodes with all the ferocity of a Roman candle. If you’re going to make a picture and the budget is limited, this is how you do it – maximize the shit out of every dollar. Most of Exterminators of the Year 3000 is utterly forgettable, but the producers wisely included a handful of scenes that are memorable enough to give it some lasting credit. Not much, but enough to keep viewers from falling asleep or checking their social media feeds. The opening car chase, which is a fantastic example of stunt driving, looks like something right out of a Stephen J. Cannell television production.

It’s likely anyone buying this latest Blu-ray release from Scream Factory – which was almost a double feature with Cruel Jaws (1995) until that was proven to be a rights nightmare, as it uses unauthorized footage from at least four other shark movies – knows what they’re getting into, so if you’re reading this review because you love all of those scrappy Italian nuclear wasteland films and want to know if this one is worth your time, the answer is… sure. It fits right into that wheelhouse.

Much like the film itself, Exterminators of the Year 3000 arrives on Blu-ray with a 1.85:1 1080p picture that is gritty and rough around the edges. To be fair, technically the presentation is about as good as it’s going to get, plus this also marks the first time the film has been released on home video in its proper aspect ratio. Code Red had released a DVD edition in 2010 that was full frame, so enough said there. This hi-def release features a marginal uptick in quality over standard resolution, with only extreme closeups worthy of any sort of praise. In general, it’s a soft focus feature with accurately rendered colors, unspectacular details and a sunbaked color palette. In darkness, detail is completely swallowed; thankfully, very few scenes take place in such conditions. Fans will likely be happy enough just having the film in widescreen.

Once again, on a technical level there’s not much fault to be found within the English DTS-HD MA 2.0 mono audio track. Every trait of the sound mix, for better or worse, is cleanly carried over here. In the bonus features it’s made clear that the languages spoken on set were English, Italian and Spanish, and their vocalization wasn’t always done when cameras stopped rolling. Therefore, the entire film had to be dubbed. So expect lots of tin can dialogue, “Look out, it’s Godzilla!” lip synching and a near total lack of any presence whatsoever. Composer Detto Mariano gets a modicum of credit for crafting a catchy low-fi synth motif, but it gets so overused you’d think it was all he wrote. Subtitles are included in English.

If you’re able to withstand the moderation by Code Red’s Bill Olsen, then this audio commentary with actor Robert Iannucci may be worth a listen. Iannucci has many clear recollections from the set, speaking about the different nationalities participating in the production, eating snakes, the stunt work and so forth. Personally, Olsen is just a little too deprecating and hyper for my tastes, and his mania sours otherwise decent commentary tracks. Just my two cents.

“Boogie Down with the Alien: Interview with Robert Iannucci” runs for a little over 17 minutes. This footage looks rather old and is presented undated. The actor sits down to discuss his involvement with the project from casting to production and its legacy. Some info is redundant here if you’ve heard the commentary track.

The film’s trailer and a couple of TV spots are also included.

Special Features:
Special Features:

  • Audio Commentary with Actor Robert Iannucci
  • Interview with Actor Robert Iannucci
  • TV Spots

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There’s More Than Snakes on a Plane in Shake, Rattle, and Roll XV

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On tap right now we have a look at the upcoming anthology film Shake, Rattle, and Roll XV. That’s right; there have been 15 movies made in this Philippine-based franchise, with the latest having the largest budget of the bunch. Check out the trailer and more.

Directed by Dondon Santos, Jerrold Tarog, and Perci Intalan, the film stars Erich Gonzales, JC de Vera, Carla Abellana, Dennis Trillo, Lovi Poe, and Matteo Guidicelli.

Segment Synopses:

“Ahas”
Sandra/Sarah (Erich Gonzales) portray the mythical twin snake of Alegria Mall/Shopping Mall.

“Ulam”
In this segment of the horror anthology, a family is being fed by their yaya with delicious dishes that soon turns them into horrible monsters. This episode stars Carla Abellana and Dennis Trillo.

“Flight 666″
A hijacker (Bernard Palanca) terrorizes the passengers of Flight 666. Amidst the chaos, a passenger gives birth to a “tiyanak” (a monstrous creature from Philippine mythology) that soon attacks the rest of the people inside the aircraft one by one. Flight stewardess Karen (Lovi Poe), who has a relationship with Dave (Matteo Guidicelli), together with the help of co-pilot Bryan (Daniel Matsunaga), must save them from this horrifying trip to Hell.

Shake, Rattle, and Roll XV

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First Details on Grand Guignol Style Horror-Comedy The Painting

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The Painting, a horror-comedy that celebrates the Grand Guignol style of filmmaking, is having its World Premiere on March 21st at the Garden State Film Festival, and we have additional details on the film to share with you today.

The third feature film from award-winning indie writer/director Robert Rothbard (Pizza with Bullets – Best Screenplay – Action on Film International Film Festival; Best Director – Syracuse Film Festival; Platinum Remy – Best Comedy – WorldFest Houston) and artist/first-time writer/producer Sally Lamb, The Painting stars Robert Homer Mollohan, recently seen in Road to Paloma and Wolves. Joe Dalo, Henry Hereford, Merilee Brasch, and Caleb Lane co-star. The special effects were created by Vincent Guastini.

The dilemma facing Edward Alfonso Lexington (Mollohan), a spoiled, pretentious, talent-less “artiste” and son of a world renowned deceased artist is… What is one to do when he doesn’t have the talent to follow in his famous father’s footsteps?

Edward will stop at nothing to be as famous as his father, as he lures unsuspecting artists to his home to paint, then signs his name to their art and, afterwards, makes them disappear – one at a time. But he may have met his match when he crosses paths with a voodoo queen artist who has her own plan in mind for Edward.

The Grand Guignol was a theatre in the Pigalle area of Paris from 1897 until its closing in 1962. It specialized in naturalistic horror shows, and its name is now often used as a general term for graphic horror entertainment. Whatever Happened to Baby Jane?, Sweeney Todd, Freaks, and the films of acclaimed Italian director Dario Argento are generally considered to be in the Grand Guignol style.

The Garden State Film Festival (GSFF) is held in Atlantic City, New Jersey, March 19-22, 2015. Visit GSFF.org for more info.

thepainting

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First Look: Halloween Horror Nights 25 at Universal Orlando

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Sure… it’s only March, but that’s not stopping Universal Orlando from thinking about all the blood-curdling fun they’re set to bring you at their 25th annual Halloween Horror Nights!

From the Press Release:
By day, guests at Universal Orlando Resort are propelled into some of pop culture’s most iconic and beloved stories, laughing as they experience cutting-edge attractions and screaming as they brave plummeting roller coasters.

But there’s another, darker side to Universal Orlando.

On select nights in September and October, guests sprint away in paralyzing fear. They scream uncontrollably. Their nightmares come to life at Universal Orlando’s Halloween Horror Nights.

Now, guests can be among the first to book a vacation package that combines the excitement of Universal Orlando’s two world-class theme parks by day and heart-pumping horror of Halloween Horror Nights by night.

Consistently ranked the nation’s best, Halloween Horror Nights is the ultimate Halloween event, attracting guests from around the world. From the moment guests step inside the event’s gates, they become a victim inside their own horror film. The streets of Universal Studios Florida are transformed into highly-themed scare zones, brought to life with elaborate scenery and teams of menacing “scare-actors” that lunge from the shadows and tactically hunt guests as prey.

Multiple haunted houses are erected throughout the theme park, rivaling the most detailed and terrifying of movie sets. Once inside, guests shriek their way through an unpredictable, multi-sensory labyrinth based on anything from iconic slasher films to hit horror video games to haunting original stories created by Universal’s Entertainment team.

This fall, Halloween Horror Nights will mark its milestone 25th year as the biggest, longest and most intense in event history. It will run for a record-breaking 30 nights, including the following event dates:

· Sept. 18-19, 24-25, 26-27
· Oct. 1-4, 7-11, 14-18, 21-25, 28-31
· Nov. 1

For more information, visit Halloween Horror Nights Orlando.

Halloween Horror Nights Orlando

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Lotus Entertainment Puts Faith in Jeff Buhler’s Descendant

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Kids, man. We’ve all seen enough movies to know that they can be evil. Sure, every now and again you get one that’s cool, but you’re also taking a hell of a chance! Me? I’ll stick with cats. They piss me off? I pee in their litter box. Point made.

From the Press Release:
Lotus Entertainment has acquired the spec DESCENDANT from Vinson Films. Written by Jeff Buhler (The Midnight Meat Train, Jacob’s Ladder remake), the script is inspired by actual news reports and real life accounts. Tripp Vinson of Vinson Films is producing with Lisa Zambri and Tara Farney executive producing alongside Lotus Entertainment, who are also financing.

Sarah and John Turner are overjoyed by the birth of their beautiful son, Miles. But as Miles grows older, he begins to show signs of genius level intelligence, which changes him in chilling ways, leaving his parents and doctors wondering if his talents are natural or if there is some other force influencing him.

Writer Jeff Buhler said: “I have always been fascinated by the concept of reincarnation, which is a widely held belief for billions of people around the globe. DESCENDANT explores this world in a very personal and frightening way that has never been realized on film.”

Evil Baby

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Exclusive New UK Clip Ushers in the [REC] Apocalypse

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The final entry in the much-lauded (well, the first two anyway) [REC] series, [REC] Apocalypse, is now unleashing its demonic fury on DVD and Blu-ray across the UK – and in morbid celebration we have a clip for you that demonstrates the high-octane, yet claustrophobic action that typifies this particular farewell party.
The film stars Manuela Velasco, Paco Manzanedo, Hector Colome, and Ismael Fritschi. It was produced by Julio Fernández and co-written by Manu Díez. Executive producers are Carlos Fernandez, Adrià Mones, Laura Fernandez, and Julio Fernandez.

Synopsis:
Following directly on from the brutal events in the doomed apartment building, TV reporter Ángela (Manuela Velasco) is rescued and taken to an oil tanker to undergo examination. But unfortunately for the soldiers on board, Angela is carrying the seed of the mysterious demonic virus that turns its victims into mindless, bloodthirsty monsters. It’s only a matter of time before all hell breaks loose and the carnage begins again…

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Exclusive UK Clown Clip Proves No Child Is Safe

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Terrorising the UK on DVD and Blu-ray right now is the Eli Roth-produced coulrophobia heightener Clown, and to celebrate, we have an exclusive clip that may prove NFSW depending on your boss’s tolerance for child mutilation. You have been warned!

Clown (review) is directed by Jon Watts and stars Andy Powers, Peter Stormare, Laura Allen and Elizabeth Whitmere.

Synopsis:
It’s Jack’s 10th birthday, but the clown has cancelled. His dad, Kent, finds an old clown suit in the attic and saves the party. But after the party is over, Kent has a problem… the suit won’t come off. What starts as a joke quickly turns into a hellish nightmare. Kent can feel himself changing, and his desperate attempts to free himself just leave him in agonising pain.
As the suit takes hold of his body, Kent slowly endures a brutal transformation. As he changes, an uncontrollable hunger begins to consume him, an overwhelming and insatiable hunger… for children.

clown

clown

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A Trailer Full of Cute Little Buggers

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It’s been about a year since last there was anything to report about the upcoming indie flick Cute Little Buggers, but that changes now as we have a brand new trailer for you to dig on!

Tony Jopia (Deadtime, Crying Wolf) is readying the ’80s inspired grisly British comic horror flick Cute Little Buggers 3D starring Caroline Monroe, Joe Egan, Kristofer Dayne, Gary Martin, John R. Walker, Dani Thompson, Jess Jantschek, Samar Sarila, Jo Price, Sarah Bennett, and Leslie Grantham.

The flick has been described as “Gremlins meets Hot Fuzz set in the English countryside.”

Synopsis:
After hostile aliens crash-land on local farmland, the villagers at the summer ball get suspicious when young women start going missing. The villagers soon band together around our hero Melchoir (Kristofer Dayne) to fend off the invaders and bring back peace to the sleepy English countryside.

Cute Little Buggers

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The Indie Video Game Report: Darkest Dungeon

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The Indie Video Game Report is a series where we take the time to delve the crags and crevices of the indie game market to bring you the down low on the most promising/disastrous indie titles.

Kickstarter is like your stoner friend. Sometimes the shit he gives you is shit, and sometimes he doesn’t even bring the shit at all. Hes always talking about all the connections he has and shit he can make happen, and he more often than not makes a complete dick of himself. Still, every once in a while, he pulls through, so you still stop by from time to time just to see what he’s peddled this month.

Darkest Dungeon

My newest romp with a Kickstarter alumni comes from Darkest Dungeon, and similar to the stoner friend of yester paragraph, it too has kept me up for several nights much to the detriment of my health. From Red Hook studios comes your latest reason to skip meals. Darkest Dungeon mixes quick and satisfying gameplay with long term base building and team management, adding more than a dash of roguelike randomization. Easily consumed in small chunks or large sittings, every run is another step towards the eventual endgame. As an amalgam of successful mechanics, it succeeds, but as a macabre and deeply atmospheric world, it thrives.

You play as a faceless and nameless protagonist, assumed to be some kind of inheritor to a once great estate that has fallen into ruin through a series of demonic deals and occult rituals. A letter from the previous lord before his suicide beckons the player to these lands, and in tow a slew of heroes that will harrow the darkest dungeons to slay foes and reclaim the relics and glory of the town. To this end, the player creates parties of 4 heroes from 10 different classes to try to survive 1 of 5 different objectives. Boss fights are unlocked by repeated completions, and high level heroes are required for more brutal tasks.

The end of each dungeon run is not where your ordeals end. Characters take sanity damage while in the dungeon, which must be healed by participating in leisure activities in the town. Leveling up the town with the relics you find will increase the effectiveness and capacity of your buildings, as well as providing better gear and skills for your leveled up heroes. Different leisure activities also have the risk of inflicting different “quirks”, debuffs that can only be removed in the sanitorium. Nothing is ever truly safe in Darkest Dungeon, with even the most innocent of activities proving perilous.

The element of randomness permeates the entire experience, with an overarching philosophy best described as a give-and-take. Every trap, monster, interactive object, and even item has both positive and negative outcomes. Inspecting a stack of books can either yield a permanent buff or debuff (quirks), with supplies such as holy water sometimes ensuring a positive outcome. Critical strikes hit for greatly inflated damage, giving the combat a similar degree of randomness. Positive and negative quirks are doled out in a semi-random fashion, I.E. you will never get syphilis from reading a book, but in equal measure might gain insight into the warrens or unhealthy occult fascination.

You would think that the randomness would lead to some hair pulling moments, as was the case in Gods Will Be Watching, but you have enough control over the situation that it never feels totally random. You aren’t forced to interact with any of the random chance objects (unless you have a specific quirk that makes your hero sometimes interact with it without your input), and a low health state called “Death’s Door” makes the random crits never unfairly brutal. When a character is reduced to zero life, they are at Death’s Door, and each hit from then on has a random chance of being a “Deathblow,” which is self explanatory. Any healing while in this state will restore the hero to outside of Deaths’ Door, so as long as you are careful and your party well built, you usually can make it through with minimal casualties.

What is unique about dungeon runs in Darkest Dungeon is the battle against attrition. Healing is scarce, with most healing spells either healing for a wildly random amount or very little. It is common for healing spells to only hit for 2, with hero life being somewhere between 22 and 34. Food can be consumed to heal between 1 and 2 life, but is also required at random intervals to feed your party. For long adventures, players can make camp, using various campfire skills to buff and heal party members. If you play cautiously, it is possible to stay mostly topped off, but there are no health potions to stock up on to make the run easier. Runs can be abandoned at any time, but you sacrifice the rewards you would get for winning.

At the same time, the light is constantly going down, only being raised by some Vestal skills and consumable torches. Lower light means more crits and loot, but also vastly increased sanity damage. If a player runs out of sanity, their resolve will be tested. Sometimes this is a good thing, giving the player a huge buff and healing a large amount of sanity. More often, the character succumbs to a negative buff, which can drastically decrease their effectiveness. Paranoia can cause your party member to not listen to you and refuse all healing. You can heal this afflicted state by returning their sanity to full while in town, but expect your run to be difficult if this happens.

The inventory is broken down into 16 slots, with every item taking up a slot with variable stacks. Gold is stacked up to 1500 a slot, and the relics required to rebuild the town vary in size from 12 per stack to as few as 3. Logs for campfire take up a whole slot, as do quest items, making their use and picking them up a calculated effort. Players provision themselves at the start with food, torches, and a series of useable items for specific situations. The useable items are things like antivenom and shovels, which sometimes have function in removing ailments, but are mostly used to ensure positive outcomes from interaction objects. As the narrator says, “packs laden with treasure are often low on supplies,” so how much you take in and how liberally you use them is a give and take. It can be torturous to ditch your shovels to make room for another stack of gold, only to have the next room contain a wall of rubble you have to dig through.

Overall, the game feels like a slow but steady grind to improvement. Heroes are plentiful, meaning you can punt a dude off of your roster if he acquires too many negative quirks. It can be a bit of a hassle to train up a solid squad, since higher level heroes will not participate in lower level missions. Even so, once you fill out your roster to about 15, you should have plenty of squads ready to do all levels of missions.

What is easily my favorite part of Darkest Dungeon is the variety. Every hero has 7 skills, but only 4 can be slotted at a time, leading to multiple styles of play for each character. A Highwayman can be a good third slot ranged damage dealer, but can also serve equally well as front line massive burst damage with a different loadout. Some heroes lack this variety, such as the Leper, who can only function as a front line, but these heroes usually make up for it with multiple strong options in that slot.

Keeping with the give and take theme, heroes can be equipped with items that always give something and take something. The item that increases your dodge chance and speed also decreases your chance of resisting movement impairing effects. The game asks you to tailor your character to the role you want them playing at the time, rather than just giving you a strongest answer. It might take a bit more planning and forethought than you are used to, but even the most experimental of party loadouts has a chance to succeed.

Presently, there are only 3 dungeons. Each dungeon has a boss, and each boss plays differently. The Necromancer summons a constant stream of skeletons, making the player decide if they wish to try to deal with the skeletons as they come or just burst the boss down. The Swine King consists of 2 enemies, with a giant high health pig monster in the front and “Wilbur” in the back marking enemies. The Hag is the third and hardest boss, who will grab a random party member and throw them into a pot. The person in the pot will take constant damage, but can be knocked out of the pot if the pot takes enough damage. All the fights prove to be unique challenges, and none are pushovers.

While content is currently light, there is a ton of room for expansion. The next dungeon has already been announced, promising eldritch fish monsters. New heroes can also be added with ease, and I am eager to see where this title goes. They have already done a fantastic job with enemy and challenge variety, so it is clear the project is in good hands.

My scant few criticisms come from inconsistent difficulty and the grind. Difficulty is supposedly based on the level and length of mission that you chose, but it is always the case that the Ruins is the easiest and the Warrens is the hardest. Its a minor gripe, but I do get tired of sending my new parties into the Ruins for the millionth time. There is also a substantial grind, with heroes requiring several runs per level to level up. The max level is 6, with more difficult missions becoming available at levels 3 and 5. Since it takes a full run being left in the sanitarium to heal a single quirk, it can take upwards of 30 runs to get a hero healthy and battle ready for a level 5 boss.

Still, Darkest Dungeon is one of the most exciting and well polished indie titles out there. It doesn’t reinvent the wheel, but it does its core mechanics satisfyingly enough to create a whole package. The narration is great and atmosphere impeccably macabre, with tension laced to the core in every element. Not for the weak of will or the faint of heart, Darkest Dungeon is a game I will still be playing and looking forward to for months to come.

The post The Indie Video Game Report: Darkest Dungeon appeared first on Dread Central.

These Final Hours (2015)

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These Final HoursStarring Nathan Phillips, Angourie Rice, Jessica De Gouw

Directed by Zak Hilditch


If the idea of an impending apocalypse doesn’t put enough thoughts in your head about survival, the ability to sustain, and how you would build upon a future that potentially couldn’t be there, then how about sticking this one in your think tank: What if it was a foregone conclusion that no one would survive a cataclysmic event, and you now were left to wonder what you’d do with your remaining time on the planet?

Such questions are better left to fend on the fly, and in director Zak Hilditch’s end-of-the-world dramatic-thriller These Final Hours, such a horrendous prophecy is left to be filled in a biblical fashion, and the masses are simply waiting to be eradicated.  This is one of the more powerful films I’ve checked out in ages – it’s depressing, it’s thought-provoking, and it sticks with you long after it’s come to a conclusion.

The events follow the final 12 hours in Australia after an apocalyptic event has occurred, wiping out a large portion of the globe, and the countdown is on. For one man named James (Phillips), he’s going to go out like a rock star: Partying and procreating are the must-dos on his short-termed bucket list. As the movie opens, we see James and his “other” girlfriend (De Gouw) spending their final moments together before she tells him to head to his friend’s blowout party and live the last hours of his life in pure ecstasy.

So, off James goes, boozed and drugged-up and ready to commit himself to the last bash he’ll ever attend–that is, until he drives past a small girl being taken by force into a home by two men, whose last actions are apparently high on the reprehensible scale. Torn between fleeing or helping, he rescues young Rose (Rice), and the two opt to travel together to find either her or his relatives.

Along the way, their efforts at times prove fruitless, which certainly adds to the bleakness factor, coming across many poor souls who have either checked out or are waiting to be decimated by that tsunami of fire that will come rolling onshore very shortly. There are some truly effectual performances here by a few bit players, and it just brings more flavor to this incredibly tasty presentation. From James’ overly-possessive girlfriend to a former police officer that has given up hope, right down to a delusional partygoer who swears that Rose is her lost child, you’ll cringe, you’ll surely sympathize, but more than likely, you’ll keep your eyes locked on the screen until the bitter end.

This review is fairly short in words; however, if I typed everything I saw or felt during the movie, I’d be typing until the end of days myself. The film looks simply brilliant with numerous shots of a red-hazed sky over the Australian borderlines, signifying an imminent impact of colossal proportions.

Phillips gives his all in a display that showcases a multitude of emotions, and they all are stellar in appearance – he’s come a long way from Wolf Creek and is poised to make a huge mark in the business shortly, I believe. If there were any minuses to speak of here, it would be the somewhat long stretches of downtime; yet, they only add to the apprehension that the characters are feeling while waiting out their remaining moments, bringing the tension directly toward your screen. This one’s simply got to be seen and is a film that I’ll definitely be checking out again.

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Amanda Adrienne Talks Avenged

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There’s a large amount of talk on the web right now about Avenged (review), a hardcore horror-thriller about a young woman who is brutally raped and killed by thugs but returns to life thanks to the soul of an Apache warrior. The movie, from newcomer Michael S.Ojeda, has been well-received by both horror critics and mainstream movie press with near every review singling out star Amanda Adrienne as a big part of the reason the movie works so well. We spoke to Adrienne as she prepared for the film’s Los Angeles theatrical launch.

Dread Central: The film has turned into a real monster online. You must be over the moon seeing your face, not to mention movie, all over the place at the moment?

Amanda Adrienne: When I saw the movie on those illegal sites over a year ago, I was kind of floored. Like wow, people want to see this enough to pirate it. How do they even know about it? It’s a little surreal.

DC: But even in terms of the marketing online for the film – you’re everywhere! How long has it been since you completed the movie?

AA: Its been awhile since my part was done. We shot the trailer to get financing in October 2010, the movie in April 2012, and probably the last pick-up shots in August 2012.

DC: Wow, three years ago! Have you been able to travel for the movie? It opened in the UK last year, right?

AA: It did open in the UK last year. Yeah, it’s been all over the world for festivals. I got to go to Toronto in August 2013 for Fan Expo. The movie hadn’t screened anywhere yet. So, no one really knew anything about it, but it was a great experience for me. I got to meet the Soska Twins, Don Coscarelli, and Slash. It felt like a welcoming of sorts into the horror family. It was cool, and I really dig Toronto as a city.

DC: It’s great. I read you answered a Craig’s list ad and that’s how you got the job. Do you know how many others you were up against?

AA: Yeah, a friend from acting class forwarded me the craigslist ad seeking an actress. I ended up auditioning and getting the part. No idea how many ladies I was up against. I guess that’s something I try not to think about going into auditions. It can end up being self-defeating.

Avenged Avenged Avenged Avenged Avenged

There are so many odds against you. You just have to ignore the odds. Get to that place where it’s just you against you.

DC: Was there any concern from the producers’ point of view that you mightn’t be able to carry the movie, being that it’s your first lead?

AA: I can remember being paranoid that they would replace me during the time between shooting the trailer and shooting the actual movie. But that’s normal actor paranoia from what I’m told. The producers never expressed anything to me directly if they did have concerns. I’m sure they did. But luckily, I didn’t have to hear about it.

DC: And the movie wouldn’t have been the same without you! In terms of preparation for the film, what did you do have to do? Fight training, obviously?

AA: Yeah, I trained at LA Wushu for 9 months with some amazing coaches. I took archery lessons. Michael had me work with the stunt choreographer on specific fight sequences. For the other aspects of the character, I did a lot of research and journaling and exploration. Since Mangas Coloradas is a real person, I felt very obligated to his truth and the truth of the Apache people or at least my understanding of it. I had a sensitivity about how I wanted to approach him as a character and always with a sense of honor and respect.

DC: Was there a fight choreographer on set? Did you find those scenes at all daunting?

AA: Absolutely. The stunt team was great. They really worked with me and pushed me. I’m not the most natural athlete, but I do work hard. I’m just grateful for everyone’s patience with me quite honestly as far as the fights.

DC: What about when you’re covered in all that gunk – be it blood or dirt. Is that uncomfortable? Does it drive one a little crazy?

AA: It’s funny. The first couple days it was kind of exhilarating, because I’d never done a horror movie before. I can remember being covered in blood staring out at the vast desert sky and thinking – wow, I never would have imagined this moment in the string of moments that make up my life. But yeah, after a while it does start to drive you a little crazy. Surprisingly, the contact lenses drove me the craziest. I tried to just let that feeling feed the character.

DC: At any time during production did you find yourself going a little ‘Zoe’ yourself?

AA: I think any project I work on, be it a feature film or a short film, is fuelled by obsession for me. And that obsession starts to bleed between myself and the character creating this feeling of going crazy. I went a little Zoe in that sense.

DC: Why do you think critics are responding to this movie?

AA: I don’t know, but I’m happy that they are. Michael never compromised his vision, and we all poured our hearts into it. I guess passion attracts passion every step of the way.

DC: Has the movie opened doors for you?

AA: Fingers crossed it does. Or I guess I’ll have to open them myself.

Avenged is screening at the Arena Cinemas in Hollywood from Friday, and is available on VOD day and date. Look for it on DVD April 21st.

Synopsis:
While traveling across country, Zoe, a lovely deaf mute woman, stumbles on a horrific crime – a gang of rednecks slaughtering two Native American boys. Zoe’s brave attempt to save one of the boys seals her fate. She is captured, raped, and left for dead. When an Indian shaman finds her clinging to life in a shallow grave, he attempts to save her – but something goes horribly wrong. The spirit of an ancient Apache warrior takes host of Zoe’s dead body. So now she walks amongst the living, hell-bent on getting revenge. One by one she slaughters the men who brutalized her, while the clock ticks away on her quickly decomposing body.

Avenged

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Today on VOD: Find Your Faults

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From the producers of The Guest and You’re Next comes Faults (review), the directorial debut of Riley Stearns. The flick gets a theatrical and VOD release courtesy of Screen Media Films today, and as is our duty here on Dread, we’re here to tell you all about it. So read on!

Written and directed by Stearns, Faults stars Mary Elizabeth Winstead, Leland Orser, Beth Grant, Chris Ellis, Jon Gries, and Lance Reddick.

In the film, Claire is under the grip of a mysterious cult called Faults. Desperate to be reunited with their daughter, Claire’s parents set out to recruit Ansel Roth, one of the world’s foremost authorities on cults and mind control. But Ansel’s specialty, deprogramming cult members and returning them to their families, is not an exact science, and a series of financial setbacks has left him in debt to his manager.

Ansel warns Claire’s parents that his deprogramming methods are risky and expensive, but they agree to hire him to kidnap and deprogram their daughter. Claire quickly reveals herself to be a formidable challenge. Her belief is unshakeable and her logic is undeniable. A battle of wits develops between the two as they delve deeper and deeper into each other’s minds.

For more info follow Faults on Twitter and “like” Faults on Facebook.

Faults

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The Fisherman Sets Sail

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On tap right now we have your first look at Alejandro Suarez Lozano’s new film, The Fisherman. Throw your hook in the water, be patient, and reel this one in!

Andrew Ng stars is this flick, which has been described as The Old Man and The Sea and Moby Dick meet Jaws and Alien in Asian waters!

Synopsis:
Mr. Wong is a third generation fisherman in Hong Kong, struggling to keep this tradition alive, but will he be able to survive the things that are yet to come?

The Fisherman

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That Guy Dick Miller Making the Rounds

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You’ve seen him countless times in countless movies. He’s seemingly been everywhere and done everything. Yep, The Guy Dick Miller is friggin’ everywhere, and we have the skinny on where you’ll see him next! Hopefully they’ll be a sequel entitled That Guy Al Leong.

From the Press Release:
Indiecan Entertainment Canada is honored to announce that THAT GUY DICK MILLER will begin its theatrical rollout on March 6th following a year of acclaim on the festival circuit including the prestigious SXSW and Sitges Film Festivals.  It will bow in Los Angeles on March 6th and continue expanding into select markets across the United States and Canada.

THAT GUY DICK MILLER is a funny, candid, and upbeat look at Dick’s career, which spans six decades with more than 175 motion pictures, four television series, and over 2,000 television appearances.

In this unprecedented documentary, we follow Dick from his first big role in A Bucket of Blood to The Terror, on to Gremlins 1 & 2 , New York New York, The Terminator, and Demon Knight, then to the “Fame” TV series, and finally, up to some of his latest roles in Cutaways and Burying the Ex.

Dick has worked for such noted directors as Steven Spielberg, James Cameron, Roger Corman, Joe Dante, Ernest Dickerson, Sam Fuller, and Jonathan Kaplan, to name a few; and over the years he has shared the screen with Robert De Niro, Jack Nicholson, Arnold Schwarzenegger, Boris Karloff, Ray Milland, Jada Pinkett Smith, Julianna Margulies, Kim Novak, David Carradine, and many more.

There is a wealth of rare footage, photos, and video plus never-before-seen 8mm shots behind the scenes of movies little and legendary. Film fans get rare glimpses into Dick’s family life, his early days in New York, the move to L.A., his struggles, his process, and his artwork. Augmented by animation, illustration, and hundreds of clips, personal home movies, and 47 interviews, we can see why “that guy’s in everything!”

THAT GUY DICK MILLER kicks off an exclusive engagement at Los Angeles’ Downtown Independent beginning March 6th. Dick Miller and special guests will be in attendance for select screenings over the weekend.

Friday Night Q&A: Robert Galluzzo – Moderator on Friday, March 6
Q&A guests: Dick Miller, Lainie Miller, Elijah Drenner, Jackie Joseph, Jonathan Haze, and Elle Schneider

Saturday Night Q&A: Sean Abley – Moderator on Saturday, March 7
Q&A guests: Dick Miller, Lainie Miller, Elijah Drenner, Jackie Joseph, Jonathan Haze, Elle Schneider, and Belinda Balaski

Sunday Night Q&A: Moderator TBD for Sunday, March 8
Q&A guests: Dick Miller, Lainie Miller, Elijah Drenner, Jackie Joseph, Jonathan Haze, and Elle Schneider

That Guy Dick Miller

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Mikael Returns in this Peek Inside The Originals Episode 2.15 – They All Asked for You

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Been missing your favorite shows on The CW? “The Originals” is the first to return – look for it on Monday night – and we have a peek behind the scenes of Episode 2.15, “They All Asked for You,” with producers Julie Plec and Michael Narducci, who talk about the return of original patriarch Mikael.

Related Story: Klaus-Centric Photos from The Originals Episode 2.15 – They All Asked for You

“The Originals” Episode 2.15 – “They All Asked for You” (airs 3/9/15)
UNLIKELY ALLIANCES — When a dangerous run-in with a coven of vengeful witches forces Rebekah (guest star Maisie Richardson-Sellers) to align with Marcel (Charles Michael Davis), they quickly discover that the body Rebekah is currently inhabiting has a checkered past.  Upon learning that Rebekah is in danger, Elijah (Daniel Gillies) seeks out a respected elder witch, Josephine (guest star Meg Foster), in the hopes she might offer her assistance. 

Meanwhile, tensions build when Klaus (Joseph Morgan) clashes with Hayley (Phoebe Tonkin) and Jackson (guest star Nathan Parsons) over how best to protect baby Hope from Finn (Yusuf Gatewood).  Elsewhere, Freya (guest star Riley Voelkel) convinces Finn to bring her to Mikael (guest star Sebastian Roche), the father she hasn’t seen in over a thousand years. 

Lastly, a confrontation with Freya leaves Elijah and Klaus questioning whether they can trust their long-lost sister.  Chris Grismer directed the episode written by Michelle Paradise.

For more info visit “The Originals” on CWTV.com, “like” “The Originals” on Facebook, and follow “The Originals” on Twitter.

The Originals Season 2

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Dead Rising: Watchtower – Rob Riggle Weighs in on the Zombie Apocalypse

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Another clip has risen from Crackle’s Dead Rising: Watchtower, a feature film adaptation of the hit video game franchise that will be premiering on March 27th. Check it out, and keep that Zombrex handy!

The cast includes Jesse Metcalfe (“Desperate Housewives,” “Dallas”), Meghan Ory (“Once Upon a Time”), Virginia Madsen (Candyman, Sideways), Dennis Haysbert (Men, Women & Children), comic actor Rob Riggle (22 Jump Street, Let’s Be Cops), Harley Morenstein (“Epic Meal Time”), Keegan Connor Tracey (“Bates Motel,” “Once Upon A Time”), and Aleks Paunovic (This Means War).

Sony’s Crackle will give the 90-minute feature, directed by Leprechaun: Origins’ Zach Lipovsky, an exclusive digital release in the U.S. before the film receives a multi-platform release on SVOD, VOD, DVD, and TV.

The script was written by Tim Carter, who also produces alongside Tomas Harlan under their Contradiction Films banner (the same company that produced Mortal Kombat: Legacy). Lorenzo di Bonaventura (Transformers, G.I. Joe) is the executive producer.

Synopsis:
As in the video game, Dead Rising: Watchtower is set during a zombie apocalypse. When a mandatory government vaccine fails, a group of survivors must evade infection while hunting down the root of the epidemic, which leads back to a government conspiracy.

Check out the clip below courtesy of IGN.

Dead Rising Watchtower

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